CONTACT: redsea@irys.infocentrum.com
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1,2,3…Avant-Gardes Film / Art between experiment and archive, edited by Ł. Ronduda, F. Zeyfang, CSW Zamek Ujazdowski, Sternberg Press, Warsaw 2007 |
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| A.L.Rees, A History of Experimental Film and Video, St Edmundsbury Press, Bury St Edmunds 1999 | ||
| Lucyna Skompska, Od róź do liter, Fundacja Sztuki Filmowej Anima, Lodz 1999 | ||
| Berlin, cultural city of Europe 1988, Senator für Kulturelle Angelegenheiten, edited by L. Tomerius, Ullstein Verlag, Frankfurt/ Main 1988 | ||
| Blickwechsel. 25 Jahre Berliner Künstlerprogramm des DAAD, Argon Verlag 1988 | ||
| Emmett Williams, My life in flux – and vice versa, Edition Hansjörg Mayer, Stuttgart 1994 | ||
| History of The Artists’ Museum, edited by Muzeum Artystów - International Artist's Museum, Lodz 1998 | ||
| MODERN POLISH ART. I.C.S.A. Cahier 2/3. September 1984, I.C.S.A.C., Bruxelles 1984 | ||
| Ohne die Rose tun wir's nicht für Joseph Beuys, edited by K. Staeck, Edition Staeck, Heidelberg 1986 | ||
| Żywa Galeria. Łódzki Progresywny Ruch Artystyczny 1969-81, edited by J. Robakowski, ŁDK - Galeria FF, Lodz 2000 | ||
| H. Böhringer, Die schlechten Nachrichten, Kellner Verlag, Hamburg 1998 | ||
| G. Dietmar, Concrete Art in Europe after 1945, Hatje Cantz Verlag, Ostfildern 2003 | ||
| W. Wierzchowska, Współczesny rysunek polski, Wydawnictwo Auriga, Warsaw 1982 | ||
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Catalogues: |
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| Ryszard Wasko, Cut up Portrait and etc., Galeria Senatorska, Warsaw 2008 | ||
| Ryszard Wasko, Lodz – Berlin; works 1971-1996, Museum of History of the City of Lodz, Lodz 2008 | ||
| Mediations Biennale, Poznan 2008 | ||
| The Optical Edge, Pratt Manhattan Gallery, New York 2007 | ||
| Lodz Biennale, Lodz Art Center, Lodz 2006 | ||
| I am telling you a secret, Galeria Signum, Poznan 2006 | ||
| Nasty Bedtime Stories, Galeria Fizek, Poznan 2005 | ||
| La Biennale di Venice, Venice 2001 | ||
| Ryszard Wasko, Many H Gallery, Tel Aviv 2000 | ||
| 1 st International Installation Triennale Haifa, Haifa Museum of Art, Haifa 2000 | ||
| Positionen der konkreten und konstruktiven Kunst, Bauhaus, Dessau 1999 | ||
| The Lodz Film School, MOMA, New York 1998 | ||
| The Bridge, Melbourne 1998 | ||
| Hansa Art-Special, Stiftung Kunst und Kultur des NRW, Cologne 1998 | ||
| Personal Touch, Gallery Art in General, New York 1998 | ||
| Another Language, Haifa Museum of Art, Haifa 1997 | ||
| Atmosphären, Berliner Bank, Berlin 1995 | ||
| Trans-media Art. On the Art of Ryszard Wasko, Galeria FF, Lodz 1995 | ||
| Art-OMI, New York 1994 | ||
| In Between, Venice Biennale, Venice 1993 | ||
| Gabriele Rivet, Cologne 1993 | ||
| InterVIEW 1- 7, Hotel Sztuki, Warsaw 1993 | ||
| Farbe Gold, Künstlerhaus, Berlin 1992 | ||
| 37 Räume, Kunstwerke, Berlin 1992 | ||
| Über Zeit, Ruine der Künste, Berlin 1989 | ||
| Niemandsland, Kunsthalle, Recklinghausen 1989 | ||
| Balkon mit Fächer, DAAD, Berlin 1989 | ||
| Berlin’s Art Scene, Berlinische Galerien, Berlin 1989 | ||
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Atelier, Berliner Senat, 1987 |
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After Malevich Square, Wilhelm-Hack-Museum, Ludwigshafen 1987 |
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Process und Konstruktion, Archives of Contemporary Thought, Berlin 1987 |
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| Zeitberliner: sechs Gäste des Berliner Künstlerprogramms: Arduino Cantáfora, Ouhi Cha, Bjørn Nørgaard, Ken Unsworth, Ryszard Wasko, Emmett Williams, edited by R. Block, I. Lindemann, Berliner Künstlerprogramm des DAAD, Forum für Kulturaustausch, Institut für Auslandsbeziehungen, Stuttgart 1987 | ||
| Ryszard Wasko: discontinuity, edited by R. Block, I. Lindemann, Druckhaus Hentrich, Berlin 1986 | ||
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Biennale des Friedens, Kunsthalle, Hamburg 1984 |
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Ryszard Wasko, Neuer Berliner Kunstverein, Berlin 1984 |
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Idee, Raum, Konstruktruktion, Kunsthalle, Bielefeld 1984 |
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Die Ecke, Hoffman Edition, Friedberg 1984 |
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Tetra pak Kunstpreis, edition 1984 |
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Nationalgalerie, Berlin 1984 |
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Konkret Vier, Institut für Moderne Kunst, Nurnberg 1984 |
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European Film Avant-garde 1960-80, American Federation of Art, 1984 |
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Presance Polonaise, Centre Pompidou, Paris 1983 |
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Fabryka, Archives of Contemporary Thought, Lodz 1983 |
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Construction in Process, Thousand Secretaries Press, New York 1982 |
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Elementary Works by Wasko, Folkwang Museum, Essen 1981 |
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III Międzynarodowe Triennale Rysunku, Muzeum Architektury, Wroclaw 1981 |
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Works & Words, De Appel Gallery, Amsterdam 1980 |
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Pier + Ocean: the art of the 70s., Hayward Gallery, London 1980 |
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XI Biennale de Paris, Paris 1980 |
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Film as Film, Hayward Gallery, London 1980 |
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DOCUMENTA 6, Kassel 1977 |
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22 Polish Artists, Kölnischer Kunstverein, Cologne 1977 |
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Film als Film, Kölnischer Kunstverein, Cologne 1977 |
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On Photography, Technology Institute, Eindhoven 1977 |
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Foto-Medium-Art, Galeria Foto Medium Art, Wroclaw 1977 |
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Ryszard Wasko, Galeria Labirynt, Lublin 1975 |
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Aspekty Polskiej Sztuki Współczesnej, Galeria Współczesna, Warsaw 1975 |
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Tendencje w Sztuce Polskiej, Muzeum Narodowe, Warsaw 1974 |
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XII Sao Paulo Art Biennial, Sao Paulo 1973 |
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Contemporary Polish Art, Richard Demarco Gallery, Edinburgh 1972 |
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Text, articles, etc. : |
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| Ryszard Wasko, "Tygiel Kultury," 10-12/2008 | ||
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M. Wicherkiewicz, “…żeby nic nie było oczywiste,” Art&Business, Warsaw 2008 |
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A. Cichowicz, “Fotografia all-inclusive,” Arteon, No 8, Poznan 2007 |
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R. Vine, “History in Process,” Art in America, February, New York 2006 |
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R. Wasko, “This Image Has Been Removed,” Artforum, March 2006 |
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| Ryszard Wasko, Flower Power, "Tytuł roboczy," 012-013/2006 | ||
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C. Lyon & L. Wei, “The Persistence of History,” Art in America, April, New York 2005 |
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C. Lyon, “Constructing a Biennial,” Art in America, April, New York 2005 |
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R. C. Morgan, “Ryszard Wasko: Bedtime Stories,” The Brooklyn Rail, January, New York 2004 |
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A. Cichowicz, “Czarne Obrazy,” Arteon, No 9, Poznan 2003 |
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L. Wei, “Construction in Process: Ryszard Wasko Looks Back” (interview), Art in America, March, New York 2001 |
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S. Russ “Brü ckenbau,” Neue Bildende Kunst, Berlin 1999 |
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S. Cygielski, “Shaking it up,” WarsawVoice, August, Warsaw 1999 |
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R. C. Morgan,“Ryszard Wasko,” Nyarts magazine, March, New York 1999 |
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J. Ciesielska, “Progresywna Lodz,”EXIT, Nr 4, Warsaw 1999 |
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S. Russ, “Artists’ Museum Lodz,” Neue Bildende Kunst, No 12, Berlin 1996 |
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G. Volk, “New Sculpture in the Central Europe,” Sculpture Magazine, December, New York 1996 |
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A. Aukeman, “Shattered Latitudes,” ArtNews, May, New York 1996 |
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R. C. Morgan, “Shattered Latitudes,” Art Press, April, Paris 1996 |
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P. Karmel, “Art in review,” The New York Times, February 9, New York 1996 |
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D. Pagel, “Construction in Process”, Art + Text, No 52, New York 1995 |
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S. Ostrow, “Construction in Process,” World Art, No 3, London 1995 |
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New Observations Magazine, No 102, New York 1994 |
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G. Volk, “My home is your home,” Art+Text, No 47, New York 1994 |
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K. Levine, “Construction in Process IV,” Asian Art News, January 1994 |
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R. C. Morgan, “Doing Art in Poland,” Art & Auction, No 10, London 1994 |
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R. C. Morgan, “Doing Art in Poland,” Art & Auction, No 10, London 1994 |
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“Artists' Converge in Poland,” Art & Auction, No 10, London 1993 |
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R. Schefferski, “Moje kwiaty są owocem,” interview, Obieg, March-April, Warsaw 1993 |
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E. Domanowska, “Konstrukcja w Procesie,” Format /3, Wroclaw 1 993 |
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A. Stepken, “Authentizität oder Anschluss,”Neue BildendeKunst, No 1, Berlin 1993 |
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E. Heartney, “New York Diary –25 different things,” Art in America, January, New York 1992 |
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R. C. Morgan, “New York Diary,” Arts Magazine, XII, New York 1991 |
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S. Vogel, “Polski Blues am Hudson River,”Franfurkter Rundschau, September 21, Frankfurt 1991 |
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“Behind the scenes: Ryszard Wasko,” The New York Times, September 9, New York 1991 |
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R. Nonas, “Construction in Process,” Tema Celeste, III, Italy 1991 |
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A. Stepken, “Letter from Lodz,” Arts Magazine, March 1991 |
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S. Cramer, “Back to the Future,” Art in America, March, New York 1991 |
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T. Iimura, “Contemporary Art in Poland,” ATELIER, March, Tokyo 1991 |
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A. Stepken, “The Artists’ Museum – interview with R. Wasko,” Kunsforum, February, Cologne 1991 |
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“Blicke Zurück,” Zitty, January 26, Berlin 1989 |
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“Parade,” Frankfurter Allgemeine Zeitung, January 11, Frankfurt 1989 |
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“Homage for the Street,” Berliner Morgenpost, December 23, Berlin 1987 |
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“Joseph Beuys und seine Brüder,” TIP, April, Berlin 1987 |
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J. Laupitz, “Impulsive Skulpturen,” Berliner Morgenpost, July 17, Berlin 1986 |
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A. Rottenberg, “Factory and Environs,” Cahier 2/3, Bruxelles 1985 |
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“Idea, Space, Construction,” Artscribe, December, London 1985 |
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M. Becker, “Aus der Unendlichkeit,” Nürnberger Nachrichten, October 19, Nurnberg 1985 |
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“Kunst gibt zu denken,” Neue Westfälische Zeitung, September 26, Bielefeld 1985 |
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“Sechs Tage Arbeit,” ART, August, 1985 |
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M. Hübl, “Rückher über Lodz,” Kunstforum, July, Cologne 1984 |
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L. Glozer, “Werkstatt mit Stars,” Süddeutsche Zeitung, May 25, 1984 |
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C. Marquari, “Farbiges aus der Nebelkammer,” Stuttgarter Zeitung, May 3, Stuttgart 1984 |
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R. Walser, “Process und Konstruktion,” Neue Kunst in Europa, No 8, Munich 1984 |
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M. Schneckenburger, “Process und Konstruktion,” Neue Kunstin Europa, No 9, Munich 1984 |
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A. Rottenberg, “Konstrukcja w Procesie,” Instytut Sztuki PAN, Biuletyn, Warsaw 1983 |
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R. Nonas, “Det Kom ett Langt brev fran Polen,” Moderna Museet Stockholm 1982 |
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“Interview with Ryszard Wasko,” Undercut, April, London 1982 |
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P. Lowe, “An International Exhibition in Poland,” Art Monthly, February, London 1982 |
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G. Glueck, “An Art Blackout in Poland,” The New York Times, January 24, New York 1982 |
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G. Marzorati, “Polish Experiment,” Soho News, January 5, New York 1982 |
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J. Zagrodzki, “Konstrukcja w Procesie,” Projekt, 1, Warsaw 1982 |
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A. Rottenberg, “Łódzkie rondo artystyczne,” Kultura, 13 December 1981 |
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R. Wanzelius, “Zeit und Raum,” Westfälische Rundschau, February 12, 1981 |
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M. Krause, “Die Welt der Bilder wird ständing verändert,” FrankfurterAllgemeine Zeitung, February 2, Frankfurt 1981 |
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Stedelijk Museum, Museumjournal, No 6, A msterdam 1979 |
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Studio International, March / April, London 1977 |
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Projekt, No 6, Warsaw 1977 |
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“R. Wasko: Four dimensional photography,” Flash Art, October, Milano 1976 |
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