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27 February 2015
Flash Art

Hudinilson Jr, Hudinilson Jr / Flash Art NY Desk

Opening: 06.03.15, 6:30 pm
07.03 – 04.04.15

Organized by Michele D’Aurizio

The art of Hudinilson Urbano Junior (São Paulo, 1957 – 2013) emerged in the late 1970s, when Brazilian cultural production was stifled by the military dictatorship, and the avant-garde Concretist project of blending art and life had been appropriated by the bohemia. In a context in which the very few extant museums and galleries were presided over by the establishment, and the only interventions in public space had to assume the posture of a guerrilla action (Hudinilson Jr was originally part of the collective 3NÓS3 who, among their many performances, bagged monuments around the city), the artist turned to the intimate domain of his own body: by using a Xerox machine he accessed, reproduced and learned about every single detail of his anatomy. “Already from the beginning, the topic of my work was the body,” says Hudinilson Jr in one of his last interviews. “If a person is alone with a Xerox machine, what is the first thing this person will do? […] I first Xeroxed the hand, then the face — but then also all the rest. […] I would close the door, undress and continue my explorations.”

The exhibition at the Flash Art NY Desk brings together a constellation of works, mostly from the 1980s, which all insist on Hudinilson Jr’s obsession with the male body. Collages, photographs, found objects and sculptures, along with the trademark Xeroxes, allow for a scrutiny of the traits of virility, from clichéd representations of gay pornography to abstractions that result from the feverish process of enlarging, reframing and collaging together pictures of the artist’s own body. The narcissistic afflatus, which Hudinilson Jr always intuitively recognized as the thrust of his practice, can also be recognized as an empirical exploration of his queer identity — an impending onanism that exhausts the political gesture by imitating a sexual encounter that can only be nonproductive: hence, the artist’s posição amorosa, his “sex position,” fosters little more than the “exercise” of reproducing the self.

The exhibition is generously supported by Galeria Jaqueline Martins, São Paulo.

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#permalink posted by E-List: 2/27/15 03:15:27 PM



Mari MINATO
PARIS

Parcelles d’Espaces

14 mars – 11 avril 2015



Galerie Richard a le plaisir d’inaugurer l’exposition personnelle de Mari Minato nouvellement représentée par notre galerie sous le titre de « Parcelles d’Espaces ». Cette exposition se tiendra du 14 mars au 11 avril 2015 dans notre galerie parisienne.

Mari Minato présentera une série de peintures, formées de plusieurs panneaux, des œuvres sur papier de différents formats, ainsi qu’une installation inspirée par l’espace de la galerie. La pénétrante sensibilité de ses œuvres est issue d’une réflexion approfondie sur l’origine des images ; les cultures et les traces laissées par l’Homme au fil des siècles dans les espaces qu’ils habitent constituent sa source première d’inspiration. L’osmose des formes et des couleurs vibrantes appliquées selon une logique aussi implacable qu’universelle répond à l’influence réciproque des civilisations à travers l’Histoire. Sa sensibilité au caractère organique et historique des lieux lui permet de parvenir à une forme d’abstraction.

Son travail d’imprégnation est issu de son goût prononcé pour le voyage qui se manifeste à travers un processus immersif préalable à la création. Elle utilise ses carnets de voyage pour inventorier et ordonner par le croquis et par le texte les éléments constitutifs de cultures choisies. C’est-à-dire cette relation intime entre un lieu concret et la vie de ses occupants laissant successivement les signes éphémères de leur passage. C’est de cette relation que Mari Minato s’imprègne afin de « recommuniquer » ses traces dont la pureté et l’élégance entre en écho avec ce que la sensibilité humaine a de plus profond. Ses œuvres sur papier, bien que détachées de la culture qui les a inspirées, transmettent une énergie et une vérité dont la portée va au delà de l’espace et du temps.

Sa technique est en partie issue de son étude de la peinture japonaise caractérisée par l’application d’un tracé fluide et sensuel sur une surface volontairement laissée blanche dans une volonté d’épure et de spiritualité. À cet enseignement, elle mêle la technique contemporaine de l’acrylique qu’elle a progressivement associé à celle inspirée du déroulé de la couleur en lithographie. De par la fluidité du médium, une grande liberté formelle est alliée à une variété de couleurs vives s’imbriquant et fusionnant sans jamais se mélanger. L’association de cette technique et de la force expressive de Mari Minato donnent des œuvres à l’élégance et aux formes organiques singulières qui font d’elle une artiste du détail et de l’émotion.

Mari Minato est née à Kyoto en 1981 et vit à Paris depuis 2006. Elle a très récemment réalisé une installation à l’Hôpital Necker, a exposé à la Galerie Premier Regard sous l’invitation de Gilles Fuchs en 2015 et au 59ème Salon de Montrouge en 2014. Elle a participé en 2012 à la 21ème édition de L’Art dans les Chapelles. La même année elle a réalisé plusieurs installations, notamment à la Saline Royale d’Arc-et-Senans et lors de l’exposition Little Fukushima au sein la Cité Internationale des Arts de Paris organisée en hommage aux disparus de la catastrophe du 11 mars 2011.

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#permalink posted by E-List: 10:28:44 AM



Coming up at CCA

Coming up at CCA 
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  CCA Newsletter
CCA Derry-Londonderry
PVA writing workshops with Morgan Quaintance, Screening of The Turin HorseCurator (Exhibitions) announced and more…

PVA writing workshops with Morgan Quaintance

The second of our workshops with PVA (the journal of contemporary art criticism) will take place on the 7th of March in CCA. This session will be led by PVA editors and art critics Nathan O’Donnell and Marysia Wieckiewicz-Carroll with guest writer Morgan Quaintance. The workshops are for writers at any level with an interest in writing about art, exploring some of the major questions facing the writer on visual art, and asking what it means to produce a regional art criticism.

The Turin Horse - Wednesday, March 4th, 2014, 7:00pm
In conjunction with Void‘s exhibition Horse, and as part of of our ongoing Our Neighbourhood project looking at animal knowledge, CCA are pleased to present a screening of Béla Tarr’s film, The Turin Horse. The screening will take place in Void’s City Factory Gallery space.
This bleak, intense film uses as a starting point the story of
the whipping of a horse in the city of Turin, Italy which was alleged to have caused the mental breakdown of the philosopher Friedrich Nietzsche. 

Alissa Kleist appointed Curator (Exhibitions)

CCA is delighted to announce the appointment of Alissa Kleist to the Curator (Exhibitions) post. Alissa comes to us from a number of curatorial posts and projects in Catalyst Arts, Household and PS2, among others. Her biography can be found on our website, here.

CCA director Matt Packer said, “We look forward to Alissa joining us as part of our small team at CCA. She brings with her a host of experiences, enthusiasms and abilities, and I look forward to working closely with her to shape CCA’s exhibition programme in the coming years.” 

Welcome, Alissa!

Crooked Rain, Crooked Rain continues

Crooked Rain, Crooked Rain will continue in CCA until the 21st of March and at Lismore Castle Arts until the 12th of April. Exhibition images on our website and Facebook.

Image: Still from The Turin Horse, 2011

Centre for Contemporary Art 
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Northern Ireland
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#permalink posted by E-List: 2/26/15 04:52:21 AM



Call for Guest Editors and thematic proposals / for Media-N, Journal of the New Media Caucus – Spring and Fall 2016 editions

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Media-N
 
 

Media-N, Journal of the New Media Caucus (http://median.newmediacaucus.org/) is pleased to announce an open call for guest editors for its Spring 2016 and Fall 2016 issues. New media artists and scholars are invited to propose themed special issues of Media-N, which they would edit under the auspices of the Editor-in-Chief, Pat Badani, and a designated associate editor.

The deadline for submissions is May 15, 2015. Media-N’s editorial board will review the submissions and notify selected guest editors in June.

We offer opportunities for qualified scholars and/or artists to plan and edit themed issues that address topics of current interest to Media-N’s readership. We encourage those interested in submitting proposals to visit our archives (http://median.newmediacaucus.org/archives/) to become familiar with previous themed special issues such as Art & Infrastructures: Hardware (8.2) or Tracing New/Media/Feminisms (9.1). Each special edition editor, working under the guidance of the Editor-in-Chief and an assigned associate editor from Media-N’s board, would be responsible for drafting a CFP for the special issue, assisting in the peer-review process, inviting contributions from noteworthy artists and scholars, coordinating with selected and invited contributors, and copyediting and proofreading the edition.

Those interested in submitting a proposal to serve as guest editor of a special themed issue should:

-Send your proposal to Editor-in-Chief Pat Badani: mailto:medianjournal.badani@gmail.com.

-In the subject field of your email write “Submissions: Themed/Guest-edited/Media-N.”

-Attach your proposal as a Microsoft Word document (.doc or .docx), and include the following information, in order:

a- Proposed title for themed issue

b- Name(s) of editor(s)

c- Professional title(s) and affiliation(s) of editor(s): (e.g.: Educator / Independent artist, or researcher / Assistant Professor / Professor, etc.)

d- Body of the proposal – 1,000-word limit

-Attach a three-page CV as a separate Word document. 

Note: Media-N adheres to the publication guidelines set out by the Chicago Manual of Style, 16th Edition. Articles will not be published if guidelines are not met.

……………………………………………………………………….

Media-N, Journal of the new Media Caucus (ISSN: 1942-017X) is a scholarly, invitational, and blind peer-reviewed journal, open to submissions in the form of theoretical papers, reports, and reviews on new media artworks. The journal provides a forum for national and international New Media Caucus members and non-members featuring their scholarly research, artworks and projects. 

The mission of the electronic and print journals is to promote academic inquiry; to reflect the wide variety of themes and areas in new media research; to further the evolving discourses related to theory and practice; to showcase the work of new media artists and their presentation environments; and to investigate the issues surrounding education and new media. The journal has published articles by influential new media theorists and practitioners such as:  Mark AmerikaSarah CookAmy FranceschiniLynn Hershman LeesonJennifer and Kevin McCoyKen Rinaldo, Laurence A. RickelsCornelia Sollfrank, and Faith Wilding.

Three editions are published per year: spring, summer and fall. Media-N’s online and print versions differ in format but are similar in content. The publication is freely available online, and the print version may be purchased through a print-on-demand service. Each has a unique ISSN.

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NMC, please visit: www.newmediacaucus.org


ARTIST ORGANIZED ART

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Let people know what you’re doing. Our low cost announcements reach over 75,000 arts professionals and their followers. Get started sending announcements about exhibitions, book launches, crowdfunding campaigns, concerts, broadcasts and more. Our all time high is over 150,000 subscribers. Our qualified list touches the nerve center of the international art world. 44% North America, 33% Europe, 23% Asia+ and beyond. We can help turn your next release into a global fact at a fraction of the cost. We are a 501(c)(3) non-profit supporting artist organized media, events and cultural education. When you sponsor an announcement with us you support artists working in communities everywhere in the world. Learn More.

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#permalink posted by E-List: 1/12/15 01:00:36 PM



A Letter from Station Hill

From the start its mission has been to challenge and evolve conceptions of human possibility through the language arts….
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A Letter From Station Hill

© Susan Quasha, from Winter Music (with poems by Robert Kelly), ‘T’ Space Editions/Station Hill, 2014.

Dear Readers,

I am writing to ask for your support for Station Hill of Barrytown and hope that you will consider including our press in your year-end giving plans.
 
Founded by George and Susan Quasha in 1977, Station Hill has published over 250 books, thanks in part to the generosity of our donors. We are asking for your help to fund current and future projects. All donations to Station Hill, the literary publishing project of the Institute for Publishing Arts, Inc., a 501(c)3 not-for-profit organization, are tax deductible.
 
Our recent books have included Corona: Selected Poems of Paul Celan, translated by Susan H. Gillespie, as well as titles by Peter Lamborn Wilson, Robert Kelly, and Jerome Rothenberg. In 2015 we will be publishing eight books, some of which will be considered historically significant publications, including Eating The Colors Of A Lineup Of Words, an omnibus collection of Bernadette Mayer’s influential yet long out-of-print first books, and the distinguished poet and art critic Carter Ratcliff’s extraordinary first novel, Tequila Mockingbird. And we are currently in preliminary production on Clark Coolidge’s Selected Poems: 1962-1985, edited by Larry Fagin, slated for fall publication.

These and other books are part of our effort to maintain Station Hill Press as one of a handful of long-surviving independent publishers serving extraordinary innovative writers. From the start its mission has been to challenge and evolve conceptions of human possibility through the language arts. Along the way we have supported little known as well as major international writers not yet established here, such as the great French writer Maurice Blanchot, whom Station Hill introduced to the American trade in 1978 with Death Sentence (trans. Lydia Davis), eventually publishing eight others in the years to follow.

To contribute via PayPal (for which no account subscription is required), please click “Join Our Enterprise!” immediately below. Alternatively contributions may be sent by check payable to The Institute for Publishing Arts, Inc. at: Station Hill of Barrytown, 120 Station Hill Road, Barrytown, NY 12507. We will respond to all contributions with not only an acknowledgement letter but also gifts, corresponding to the scale of your support.

Moreover as you may be moved please be in touch—we look forward to further contact.

We thank you for supporting Station Hill.  
 

Very best wishes for the holiday season,
Sam

Sam Truitt
Director
Station Hill of Barrytown
120 Station Hill Road
Barrytown, NY 12507
845-758-5293
samtruitt@stationhill.org

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© 2014 Station Hill of Barrytown, All rights reserved.

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Let people know what you’re doing. Our low cost announcements reach over 75,000 arts professionals and their followers. Get started sending announcements about exhibitions, book launches, crowdfunding campaigns, concerts, broadcasts and more. Our all time high is over 150,000 subscribers. Our qualified list touches the nerve center of the international art world. 44% North America, 33% Europe, 23% Asia+ and beyond. We can help turn your next release into a global fact at a fraction of the cost. We are a 501(c)(3) non-profit supporting artist organized media, events and cultural education. When you sponsor an announcement with us you support artists working in communities everywhere in the world. Learn More.

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#permalink posted by E-List: 12/10/14 02:33:58 PM



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