All Entries: November 2014


KW Institute for Contemporary Art

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PRESSEMITTEILUNG

Berlin, 20. November 2014


Mounira Al Solh
NOW EAT MY SCRIPT
Videoinstallation
7.12.14–15.2.15
Eröffnung: Samstag, 6.12.14, 17–19 h
Ort: KW Projects



In der Videoarbeit NOW EAT MY SCRIPT (2014) setzt sich die Künstlerin Mounira Al Solh mit dem Moment auseinander, an dem Fragmente von Geschichte und Biografie aufeinandertreffen.

Anhand der Reise eines geopferten Lammes im Kofferraum ihrer Tante zwischen Syrien und dem Libanon verwischt Mounira Al Solh die Grenzen von Vergangenheit und Gegenwart, Wirklichkeit und Fiktion. Sie verwebt Geschichten ihrer eigenen Familie, die Beirut während des Bürgerkrieges 1989 verlassen musste, um nach Damaskus zu gehen, mit denen syrischer Flüchtlinge, die heute in ihrer Nachbarschaft Schutz suchen.

Die Arbeit lädt ein, über die Darstellung von Gewalt sowie über das Dilemma für eine Künstlerin oder einen Künstler, ein Trauma in Realzeit zu erfassen, nachzudenken. Al Solhs Blick auf den Gebrauch von Sprache ist dabei eine ausgewiesene Methode, um das Phänomen des Übergangs zu untersuchen. Durch die Verwendung von Alltagssprache in dieser Arbeit verringert sie die Distanz zum Trauma der „Anderen“. Die Künstlerin spielt auf Gewalt an, ohne sie direkt zu benennen, ebenso wie jene Familien, die „versuchen, ihren bürgerlichen Status zu bewahren, indem sie sich selbst nicht als Flüchtlinge bezeichnen“ (Zitat aus NOW EAT MY SCRIPT).

1978 in Beirut geboren, pendelt Mounira Al Solh heute zwischen ihrer libanesischen Heimatstadt und Amsterdam. Vergangene Ausstellungen umfassen unter anderem ALL MOTHER TONGUES ARE DIFFICULT, Sfeir-Semler Gallery, Beirut, LB, 2014; MOUNIRA AL SOLH AND SARAH FORREST, TWO SOLO SHOWS, CCA Glasgow, UK, 2013; HOME WORKS VI, Beirut, LB, 2013; THE UNGOVERNABLES, The New Museum Triennial, New York, US, 2012; MOUNIRA AL SOLH & BASSAM RAMLAWI AND DRAWINGS BY RENÉ DANIELS, Stedelijk Museum Bureau, Amsterdam, NL, 2011; I DECIDED NOT TO SAVE THE WORLD, Tate Modern, London, GB und Salt, Istanbul, TR, 2011; THE FUTURE OF TRADITION – THE TRADITION OF FUTURE, Haus der Kunst, München, DE, 2010; Manifesta 8, The European Biennial of Contemporary Art, Region Murcia (SP) im Dialog mit Nordafrika, 2010.

Mounira Al Solh wurde von Alya Sebti, freie Kuratorin, eingeladen.


Das Programm der KW Institute for Contemporary Art wird durch die Unterstützung des Regierenden Bürgermeisters von Berlin – Senatskanzlei – Kulturelle Angelegenheiten ermöglicht.


Öffnungszeiten
Mi–Mo 12–19 h, Do 12–21 h, Di geschlossen

Eintritt
Eintritt frei

Pressekontakt
Henriette Sölter
T +49 30 243459 42
presse@kw-berlin.de

KW Institute for Contemporary Art
Auguststr. 69
10117 Berlin

www.kw-berlin.de
www.facebook.com/KWInstituteforContemporaryArt
www.facebook.com/KWFreunde


—–

PRESS RELEASE

Berlin, November 20, 2014


Mounira Al Solh
NOW EAT MY SCRIPT
Video installation
7.12.14–15.2.15
Opening: Saturday, 6.12.14, 17–19 h
Venue: KW Projects



In her video NOW EAT MY SCRIPT (2014) the artist Mounira Al Solh engages with the moment where fragments of history and biography meet.

Through the journey of a sacrificed lamb in her aunt’s car trunk, traveling between Syria and Lebanon, Mounira Al Solh is mixing past and present, reality and fiction. She is interweaving the stories of her own family, who had to leave Beirut going to Damascus during the civil war in 1989, and those of the Syrian refugees who are seeking shelter in her neighborhood today.

The work is an invitation to reflect on the representation of violence and the dilemma for an artist to register the trauma in real time. Al Solh’s look at the use of language is a dedicated method to explore the phenomenon of transition. By using everyday language in this work, she removes the distance to the otherness’s trauma. The artist alludes to the violence without naming it, like the families, who are “trying to preserve their bourgeois status by not calling themselves refugees” (quoted from NOW EAT MY SCRIPT).

Born in 1978 in Beirut, Mounira Al Solh lives between her Lebanese hometown and Amsterdam. Recent exhibitions include ALL MOTHER TONGUES ARE DIFFICULT, Sfeir-Semler Gallery, Beirut, LB, 2014; MOUNIRA AL SOLH AND SARAH FORREST, TWO SOLO SHOWS, CCA Glasgow, UK, 2013; HOME WORKS VI, Beirut, LB, 2013; THE UNGOVERNABLES, The New Museum Triennial, New York, US, 2012; MOUNIRA AL SOLH & BASSAM RAMLAWI AND DRAWINGS BY RENÉ DANIELS, Stedelijk Museum Bureau, Amsterdam, NL, 2011; I DECIDED NOT TO SAVE THE WORLD, Tate Modern, London, GB and Salt, Istanbul, TR, 2011; THE FUTURE OF TRADITION – THE TRADITION OF FUTURE, Haus der Kunst, Munich, DE, 2010; Manifesta 8, The European Biennial of Contemporary Art, region of Murcia (SP) in dialogue with Northern Africa, 2010, among others.

Mounira Al Solh is invited by Alya Sebti, independent curator.


The cultural programs of KW Institute for Contemporary Art are made possible with the support of the Governing Mayor of Berlin – Senate Chancellery – Cultural Affairs.


Opening hours
Wed–Mon 12–19 h, Thu 12–21 h, Tue closed

Admission
Admission free

Press contact
Henriette Sölter
T +49 30 243459 42
press@kw-berlin.de

KW Institute for Contemporary Art
Auguststr. 69
10117 Berlin

www.kw-berlin.de

www.facebook.com/KWInstituteforContemporaryArt
www.facebook.com/KWFreunde

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#permalink posted by E-List: 11/20/14 06:16:41 AM



Artist Organized Art
Projects & Partners
Eastworks Nov 15 & 16
Evening Reception: Saturday, Nov 15, 6-8pm
Panels: Saturday, Nov 15, 1-2pm & 5-6pm
Feature Performance: Sunday, Nov 16, 2-4pm
Eastworks Nov 15/16
Top: Jessica Higgins, Creative Director of SWITCH, R. Jaime Davidovich video artist & Founder of SoHO Arts Network. Mid: New Observations Magazine Published by Erika Knerr, Issues #95 and #70. Bottom: Line Art depicting Artist Organized Art, R. John Landino & GLOVE (pictured) to perform in the New Media Gallery at Waugh Agency.
Four Simultaneous Exhibitions At Eastworks
116 Pleasant Street, Easthampton-Mass: Eastworks is a 500,000 square foot mill building from the early 20th century that has been in re-development for 18 years. A home to entrepreneurs and visionaries in the arts, creative industries, and mission driven enterprises, Eastworks reflects the dynamic of action and community. Whether a non-profit supporting community, or individual artists and entrepreneurs who want community to better explore their work, the idea of “coming together” to work is richly celebrated. In the many events and collaborations with groups and organizations like Artist Organized Art, Eastworks Open Studios goes even further
SWITCH (All 16 Half Hour Episodes)
Retrospective Screening: Nov. 15 & 16, 11am-5pm
65 Works of Intermedia, Video & Performance for Experimental Public Access Television
Panel: Saturday, Nov 15, 5-6 pm
Jessica Higgins, Denis Luzuriaga, Erika Knerr, John Landino, Mary Averill, Matt Waugh, GLOVE, Suzy Sureck, David Teeple and others
Evening Reception: Saturday, Nov 15 6-8pm
Location: Eastworks Events Space, West Lobby
New Observations Publication Archive (130 Issues)
Reading Room: Nov 15 & 16, 11am-5pm
Panel: Saturday, Nov 15, 1-2 pm
Erika Knerr , Joshua Selman, Jessica Higgins , Suzy Sureck and others
Location: Eastworks Center Lobby
Line Art À La Carte
Participatory Social Art: Nov 15 & 16, 11am-5pm
A New Collaboration By Artist Organized Art & EASTWORKS
Kim Carlino, Erika Knerr, Joshua Selman and Guest Artists are at your service
Location: Eastworks Center Lobby
John Landino & GLOVE Special Performance
New Media Gallery at Waugh Agency
Guest Appearance: Sunday, Nov 16, 4-5 pm
John Landio & GLOVE appear at the New Media Gallery courtesy of Artist Organized Art
Additional media projections Nov 15/16, 11am-5pm
Location: Eastworks, Waugh Agency New Media Gallery, West Lobby
SWITCH Retrospective Screening, Nov 15/16, 11am-5pm,
Panel Nov 15, 5pm, Reception Nov 15, 6-8pm
The retrospective screening presents all 16 episodes, which comprise 65 works, as a two day retrospective with screenings on the walls and selected works for video monitors. SWITCH is a community based public access cable television show of intermedia and performance art, interfacing performers from the Pioneer Valley and from New York City. The Creative Director is intermedia artist Jessica Higgins. All 16 episodes of SWITCH were shot in a studio in Holyoke-Mass, or on locations throughout the Pioneer Valley and in NYC. The show was produced by Denis Luzuriaga, in Holyoke-Mass, but first aired in Easthampton-Mass on ECAT, before being syndicated nationally on channels reaching over 80,000 households in states from Massachusetts to Hawaii. The program is also streamed on the web. SWITCH is a one of a
kind art for TV showcase offering vintage Fluxus, intermedia, performance art and conceptual video works. SWITCH re-addresses the use of public access cable by putting contemporary work with an experimental edge on televisions in everyone’s homes. http://switch.artistorganizedart.org
New Observations Publication Archive Reading Room,
Nov 15/16, 11am-5pm, Panel Nov 15, 1-2pm
New Observations is an independent, non-profit contemporary arts journal written, edited and published by the arts community in an expanded process, as a work of collaborative art. Dedicated to bringing artists’ voices to the public forum through an innovative guest edited magazine published from 1981-2001, it resumed publication of a new series in 2013 with issue 129. Today, artist & graphic designer Erika Knerr serves as Publisher and was previously the art director of the magazine for many of its issues. Its editorial pages have presented an extraordinary range of viewpoints and ideas reflecting the diversity within the arts. New Observations Magazine has featured artists working inside of visual art, poetry, essays, fiction and project based works and is a resource for and from the art community, including art historians, scholars, and the general public. The journal was found
ed in the early 1980′s, covering New York’s provocative art scenes at the time, but soon expanded its horizons nation wide and internationally. In the Reading Room at Eastworks visitors encounter how, with the genuine and generous enterprise that each “new observation” brings, each new emerging thought, each new sensible field, helps us cross a new horizon line together. www.newobs.org/backissues
Line Art À La Carte – Participatory Art, Nov 15 & 16, 11am-5:00pm
As a new collaboration between Artist Organized Art and Eastworks, Line Art À La Carte offers a social space reserved for patrons to make art. At Line Art À La Carte guests order instructions for simple line drawings from a menu of options, just like at a restaurant. A choice from column A, from column B – from C. The menu columns offer parameters such as shapes, sizes, colors, actions and more. Then, each guest is invited to add their drawing to the wall. Guests are helped by art guides, artists who are volunteering to share their know-how with the public to help each visitor enjoy making their drawing directly on the walls of a beautiful space. Finally the drawings meet up on the walls, as the community meets up in the space.
Artist Guides: The Line Art À La Carte menu is jointly created. Eastworks artist Kim Carlino (www.kimcarlinoart.com) a veteran installer of Mass MoCA’s “Sol LeWitt: A Wall Drawing Retrospective” is frequently commissioned for original full scale wall works in commercial and industrial buildings. She has prepared a special menu with members of Artist Organized Art. Among the members are veterans of intermedia, such as Joshua Selman, with direct experience in Fluxus À La Carte festivals (as documented in the 129th Issue of New Observations Magazine) and in the use of Fluxus action event scores, such as LaMonte Young’s instruction “Composition 1960 #10 to Bob Morris: Draw a straight line and follow it.” A rare meeting of
artistic legacies floats in the background.
John Landino & GLOVE, Special Performance, Sunday,
Nov 16, 4-5pm, Projections: Nov 15 & 16
This will be the first performance in 3 years of John Landino & GLOVE, who unfamously introduced a project of sonic & social intervention in the Pioneer Valley with their strategic collaboration simply titled Intervention. The two met at Eastworks and galvanized a community of artists around energetic excursions into socially unpredictable situations using music as a pretext to up-end behavioral protocols at chosen venues. Despite hostilities and threats that frequently emerged at the encounters, many followers claimed to have discovered new dimensions of taboo and possibility in the radically altered social space. After John Landino’s long and protracted illness and a near shut down of their network, GLOVE has contrived for the duo to re-surface at the Eastworks Open Studios Weekend, where they may be unwelcome and could potentially be carted off.
The Waugh Agency is an insurance agency, founded by composer Matt Waugh, which sponsors a new media gallery and electro-acoustic research at a site for the presentation of art works achieved using new technologies and new media. Works may include multiple channel audio-visual installations, interactive performances, hardware hacking, circuit bending, animation, projection mapping, as well as telematic projects using networked audio and video. www.waughagency.com

ARTIST ORGANIZED ART

Each Announcement Now Comes With An Inclusion In Our Newsletter Or Social Networks At No Additional Cost

Let people know what you’re doing. Our low cost announcements reach over 75,000 arts professionals and their followers. Get started sending announcements about exhibitions, book launches, crowdfunding campaigns, concerts, broadcasts and more. Our all time high is over 150,000 subscribers. Our qualified list touches the nerve center of the international art world. 44% North America, 33% Europe, 23% Asia+ and beyond. We can help turn your next release into a global fact at a fraction of the cost. We are a 501(c)(3) non-profit supporting artist organized media, events and cultural education. When you sponsor an announcement with us you support artists working in communities everywhere in the world. Learn More.


#permalink posted by E-List: 11/11/14 08:30:08 AM



  

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