Ongoing editions: Amsterdam | Madrid | Milano
Past edition: Barcelona | Berlin | Roma
 

OPEN CALL FOR ARTISTS
7 solo exhibitions in Amsterdam
6 solo exhibitions in Madrid
and 4 solo exhibitions in Milan


 
T.I.N.A. is an International platform that allows artists to get in touch with a network of galleries and curators interested in evaluating new projects. T.I.N.A. is open to all artists, regardless of age, technique and nationality.

 

 

OPEN CALL FOR EXHIBITIONS IN
AMSTERDAM - MADRID - MILAN



 
Enrolled artists will interact with an international team of curators, every edition different and constantly growing, and with galleries composing the jury sorted by city. Each gallery will evaluate the work of all participating artists; will choose its favourites and nominate a winner to organize a solo exhibition. Each gallery will appoint one winner. In the current edition we will appoint 17 winners of:

7 solo exhibitions in Amsterdam, 6 solo exhibitions in Madrid and 4 solo exhibitions in Milan.

 
 


The basic subscription to T.I.N.A. Prize costs 35 euro and includes the registration to one city with one image. Your registration will last 12 months from today and will allow you to enter all cities of the network at only 15 euro each all year round. Each season our net proposes a new open call in three different cities.
GALLERIES IN AMSTERDAM

Oker
Fontrodrona Artspace
Home of Art
Kulter
NDSM Treehouse
The Bookstore Foundation
Mixtup

GALLERIES IN MADRID

Combustion Espontanea Art Gallery
Factoria de Arte y Desarollo
Galeria Dionis Benessar
Galeria Juca Claret
Modus operandi
Quinta del Sordo

GALLERIES IN MILAN

Galleria Bianconi
Galleria Giovanni Bonelli
Maurizio Caldirola Arte Contemporanea
Galleria Giuseppe Pero

For any inquiries please contact info@tinaprize.com. We speak English, Italian and Spanish and will be glad to help you!
Copyright © 2015 Associazione Radar, All rights reserved.


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#permalink posted by E-List: 4/29/15 03:45:54 AM





 
PRESS RELEASE
BASELAPRIL | 202015

 
Art Basel to present a new installation by Rirkrit Tiravanija, Nikolaus Hirsch, Michel Müller and Antto
Melasniemi in Basel this June
.
 
For the duration of Art Basel, 'DO WE DREAM UNDER THE SAME SKY' by conceptual artist Rirkrit Tiravanija, German architects Nikolaus Hirsch/Michel Müller and Finnish chef Antto Melasniemi will be installed on Messeplatz in Basel. The new work will be an extension of Rirkrit Tiravanija's and Thai artist Kamin Lertchaiprasert's project 'the land', a self-sustaining artistic community near Chiang Mai in Thailand that engages with the idea of an artistic utopia, presenting an ecological and sustainable model for future artistic practice. Including a herbal garden, kitchen, communal dining and meeting area, the project will involve collaborations with engineers Bollinger + Grohmann and students from the Institute of Art of the FHNW Academy of Art and Design in Basel and the Städelschule in Frankfurt to activate the work during the fair.
 
'DO WE DREAM UNDER THE SAME SKY' can be seen and experienced as a visually striking large-scale work at the entrance to the fair and as a platform for communication. The installation invites the audience to enter a sphere of recovery and community amidst the excitement of the art fair. Creating a place of hospitality, visitors can engage through the activities on offer, such as the drinking of herbal tea plucked fresh from the on-site garden, the preparation and eating of food. The food will be rooted in Thai tradition and will be available with no fixed schedule, menu or price list: compensation is self-determined, by self-serving, serving others, donations or even participating in the cooking or washing up.
 
The activities and events will be run in close collaboration with students from Basel and Frankfurt, who will be working alongside Tiravanija and Melasniemi running the kitchen, preparing food and organizing additional events. Both schools, Städelschule in Frankfurt and the FHNW Academy of Art and Design in Basel, have a cooking tradition with students being experienced in running experimental kitchens and testing new concepts of hospitality.
 
The installation will consist of a modular bamboo and steel structure designed by Nikolaus Hirsch and Michel Müller within which the various themes of the project will be played out. Developed and executed in collaboration with Finnish chef Antto Melasniemi, the program will explore an ecological cycle beginning with the growing of herbs and continuing on to their use in the production of tea and culinary creations. Based on the idea of self-sufficiency, 'DO WE DREAM UNDER THE SAME SKY' will employ various alternative energy models including a solar kitchen.

The installation will function as a platform to further develop the artists' ongoing 'the land' project in the form of a series of mini-symposia hosted by Hans Ulrich Obrist on themes and issues relating to the project.
 
At the end of the show, following its concept of transfer, the installation's structure will be shipped to 'the land' in Chiang Mai where it will form the basis for a new workshop building that will host a range of artistic projects including artistic residencies, workshops, and seminars. 'DO WE DREAM UNDER THE SAME SKY' is commissioned by Art Basel.
 
NOTES TO EDITORS

'DO WE DREAM UNDER THE SAME SKY'
Opening times and schedule
Vernissage Sunday, June 14, open to the public
Daily from June 15 to June 21, 10am – 8pm
 
Rirkrit Tiravanija
Born in Buenos Aires, Argentina, and now living and working in New York, Berlin and Chiang Mai, Rirkrit Tiravanija’s work defies classification, encompassing traditional object making, public and private performances, teaching, and other forms of social engagement. Winner of the 2004 Hugo Boss Prize awarded by the Guggenheim Museum, selected solo exhibitions include Tate Modern (2013); Centre Pompidou (2012); Solomon R. Guggenheim Museum (2005); Serpentine Gallery (2005); Musée d'Art Moderne de la Ville de Paris (2005); Museum Boijmans Van Beuningen in Rotterdam (2004); Los Angeles County Museum of Art (1999); and Museum of Modern Art, New York (1997). London. Rirkrit Tiravanija is represented by Gavin Brown's enterprise, Galerie Chantal Crousel, kurimanzutto, neugerriemschneider and STPI.
 
Nikolaus Hirsch
Nikolaus Hirsch is a Frankfurt-based architect and curator. He was the director of Staedelschule and Portikus Kunsthalle in Frankfurt (2010-2013) and previously taught at the Architectural Association in London. His architectural work includes the award-winning Dresden Synagogue (2001), Hinzert Document Center (2006), and institutional models such as the Bockenheimer Depot Theater (with William Forsythe), Unitednationsplaza in Berlin (with Anton Vidokle) and Cybermohalla Hub in Delhi (2008-12), Hirsch curated 'Cultural Agencies' (Istanbul, 2009/10), numerous exhibitions at the Portikus, the Folly project for the Gwangju Biennale in Korea (2013), and the upcoming exhibition 'Wohnungsfrage' at the Haus der Kulturen der Welt in Berlin. Hirsch is the co-editor of the Critical Spatial Practice series at Sternberg Press.

Michel Müller
Michel Müller is a professor at the University of Technology, Arts and Sciences in Cologne and has held academic positions at the Academy for Art and Design Stuttgart (2005-2010), and the HfG Karlsruhe (2004). His work includes the Power Station Darmstadt, the Machine Hall Darmstadt, and numerous exhibition architectures such as 'Making Things Public' at the ZKM (curated by Bruno Latour and Peter Weibel, 2005), and 'Indian Highway' (Serpentine Gallery, 2008). In 2004 he earned his doctorate with a dissertation on planning methods of adaptable architecture. Müller´s ongoing work on institutional models resulted in projects such as the Bockenheimer Depot Theater (with William Forsythe), Unitednationsplaza in Berlin (with Anton Vidokle), and Cybermohalla Hub in Delhi.
 
Antto Melasniemi
Besides running three restaurants in Helsinki Antto Melasniemi has collaborated alongside artists and designers like Martí Guixé, Rirkrit Tiravanija and Klaus Haapaniemi on performative high-concept projects like HelYes, the Solar Kitchen Restaurant and the Trojan Bar. ´Hospitality is the key for me,’ says Antto, referring to his near-obsession in making people feel. He is interested in food as a cultural phenomenon and a way of communication The importance of dining or sharing a meal doesn’t just begin and end with what is on the plate. ´It is all the things around and connected the food that makes it fascinating`.

About 'the land'
'The land' was initiated by Rirkrit Tiravanija and Kamin Lertchaiprasert as a self-sustaining environment emerging from the artistic community. 'The land' is located in the northern part of Thailand, near the village of Sanpathong, 20 km southwest of the city of Chiang Mai. It is intended to be cultivated as an open space free of ownership, an environment conducive to discussions and experimentation in the fields of culture. 'The land' is open to the day-to-day activities of local living (i.e., the cultivation of rice) and to the neighboring community. On the social field of 'the land', artistic practices are discussed and tested. A hybrid of innovation and traditionalism, 'the land' juxtaposes contemporary materials and technologies with ancient forms of practice.
 
While 'the land' is inherently a rice field and a garden, freely accessible to all, it also supports architectural constructions that may be utilized in a variety of ways: from shelters for sleeping to kitchens for cooking to platforms for lectures or performances. A number of artists and architects are involved in this aspect of the land's potential, though participation is not confined solely to those in the arts. The people who have contributed to the land's structure thus far hail from both local and international backgrounds, with artists such as: Kamin Lertchaiprasert, Tobias Rehberger, Philippe Parreno, François Roche, Angkrit Ajchariyasophon, Carl Michael von Hausswolff, Superflex, and Rirkrit Tiravanija. The most recent project at 'the land' will be designed by Frankfurt-based architects Nikolaus Hirsch and Michel Müller: a structure that comprises studios, workshop space, and shelter, and involves a number of international contributors and partners.
 
About Art Basel
Art Basel stages the world's premier art shows for Modern and contemporary works, sited in Basel, Miami Beach, and Hong Kong. Defined by its host city and region, each show is unique, which is reflected in its participating galleries, artworks presented, and the content of parallel programming produced in collaboration with local institutions for each edition. In addition to ambitious stands featuring leading galleries from around the world, each show's singular exhibition sectors spotlight the latest developments in the visual arts, offering visitors new ideas, new inspiration and new contacts in the art world.
 
Partners
UBS, global Lead Partner of Art Basel, has supported the organization for more than 20 years. As Art Basel’s global network has expanded, so too has UBS’s commitment and lead partnership, which includes all three shows in Basel, Miami Beach and Hong Kong. In addition to its support of Art Basel, UBS has a long and substantial record of engagement in contemporary art: as a holder of one of the world’s most distinguished corporate art collections, as an active partner in global contemporary art projects such as the Guggenheim UBS MAP Global Art Initiative, and as a source of information and insights through the UBS Art Competence Center, UBS Arts Forum and its new contemporary art news-focused app, 'Planet Art'.
 
Associate Partners Davidoff, the prestigious Swiss cigar brand, Audemars Piguet, the independent high-end watch manufacturer, and NetJets, the world leader in private aviation, support Art Basel across its three shows. Art Basel's Media Partners are The Financial Times and the Neue Zürcher Zeitung, and the VIP car service at the show is by BMW. Long-standing partner AXA ART, the international art insurance specialist, provides VIP guided tours at all shows. For further information on Art Basel's partners, please visit artbasel.com/partners.
 

Important Dates for Media

Private View
Tuesday, June 16, 2015, 11am to 8pm (by invitation only)
Wednesday, June 17, 2015, 11am to 3pm (by invitation only)

Vernissage
Wednesday, June 17, 2015, 3pm to 8pm (by invitation only)

Public Days
Thursday, June 18, 2015, 11am to 7pm
Friday, June 19, 2015, 11am to 7pm
Saturday, June 20, 2015, 11am to 7pm
Sunday, June 21, 2015, 11am to 7pm
 
Press accreditation:
Online registration for press accreditation is now open and will close on Wednesday, June 3, 2015. Please visit artbasel.com/accreditation.
 
Media information online
Media information and images can be downloaded directly from artbasel.com/press.
Journalists can subscribe to our media mailings to receive information on Art Basel.
For the latest updates on Art Basel, visit artbasel.com, find us on Facebook at facebook.com/artbasel or follow @artbasel on Instagram, Google+, Twitter, Weibo and Wechat.
 

Press Contacts
Art Basel, Dorothee Dines
Tel. +41 58 206 27 06, press@artbasel.com
 
PR Representatives for the North America, South America and the Middle East
FITZ & CO, Katrina Weber Ashour 
Tel. +1 212 627 1455 ext. 1653, katrina@fitzandco.com
 

Click here to download a PDF of the release.

 




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#429-2F
New York, NY 10014
United States

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#permalink posted by E-List: 4/20/15 11:25:37 AM



Contact: Nikki Buccina, Quinn
212-868-1900, ext. 387 | nbuccina@quinn.pr
Cassandra Small, Quinn
212-868-1900 ext. 393 | csmall@quinn.pr
Omi International Arts Center Announces 2015 Francis Greenburger Award Winners

Five Established Artists Receive the Francis J. Greenburger Award for a Total of $62,500

For Immediate Release

New York, NY – Omi International Arts Center (Omi) announce today the five artists who will receive the 2015 Francis J. Greenburger Award, a $12,500 prize that aims to honor established artists whose extraordinary merit within the art world has not been fully recognized by the public. Francis J. Greenburger, founder of Omi and notable New York City real estate developer, invited an acclaimed artist, art historian, museum professional, gallerist and collector to each select one recipient whom they believe to fulfill the mission of the award. The awards, totaling $62,500, will be presented in New York City on April 21, 2015 during a ceremony at the New Museum from 6 to 8 p.m.

The distinguished group of artists includes Charles Juhász-Alvarado, Steve Wolfe, Alison Knowles, Suchan Kinoshita and Malcolm Morley. These notable artists were selected by Ursula von Rydingsvard, Roland J. Augustine, Claire Bishop, Oliver Kruse, and Andy and Christine Hall, respectively.

“Omi International Arts Center constantly strives to foster an environment of creative exploration and professional opportunity. Each year, this ceremony is a chance for incredible artists to gain increased exposure for their work,” said Francis J. Greenburger, Founder of Omi International Arts Center and Chairman of Time Equities, Inc. “It’s our honor to award these individuals, who we believe are shaping the art world of tomorrow, with a platform to engage with an art-focused audience and earn increased recognition for their contributions.”

Award Recipient and Presenter Information:
Charles Juhász-Alvarado, presented by Ursula von Rydingsvard
  • Charles Juhász-Alvarado grew up between Puerto Rico and the Dominican Republic. He completed both his Bachelor’s and Master’s degrees in Art at Yale University. He currently resides in Puerto Rico, and is a professor of sculpture at the School of Fine Arts (Escuela de Artes Plásticas). His work investigates, through craft, the diverse socio-cultural influences, frequently alluding to his own heterogeneous background and the historical and political conditions of the geographic and imaginary spaces that shape his relationships.
  • Ursula von Rydingsvard creates massive, abstract sculptures resembling wooden bowls, tools, and walls, echoing the artist’s family heritage in pre-industrial Poland before World War II. Von Rydingsvard has received many awards, including a Joan Mitchell Award (1997); an Academy Award from the American Academy of Arts and Letters (1994); fellowships from the John Simon Guggenheim Foundation (1983) and the National Endowment for the Arts (1979, 1986); and exhibition prizes from the International Association of Art Critics (1992, 2000).
Steve Wolfe, selected by Roland Augustine
  • Steve Wolfe re-creates worn books and used records, primarily from the 1960s and 1970s, that have influenced his own personal and artistic sensibilities. Working in the tradition of trompe l’oeil, Wolfe creates pieces that quite literally “fool the eye” on first inspection. These tattered books and worn LPs are tangible manifestations of a fertile moment in American intellectual history. Wolfe’s faithful reconstructions evoke an unexpected play between humble self-effacement and culture’s powerful capacity to have impact on one’s existence. Steve Wolfe’s work has been collected by numerous prominent public and private collections, including The Whitney Museum of American Art, The Museum of Modern Art, New York, The Menil Collection, Houston, The Dallas Museum of Art and the San Francisco Museum of Modern Art.
  • Roland J. Augustine co-founded Luhring Augustine Gallery with Lawrence R. Luhring in 1985. The gallery, now located on 24th Street in Chelsea with an additional exhibition space in Bushwick, Brooklyn, represents an international group of contemporary artists and also specializes in the resale of historical works, from art of the mid-nineteenth century to the present. Augustine currently serves on the board of several businesses, foundations, and humanitarian organizations including Bard College, AXA Art Insurance, and the Felix Gonzalez-Torres Foundation.
Alison Knowles, selected by Claire Bishop
  • Alison Knowles is a Fluxus artist who works across media, including performance and experimental book art. In 1966, Knowles’ The House of Dust, part of James Tenney’s mainframe computer work in chance based, or aleatory, art was recognized at the time as the first computer poem on record, and won a Guggenheim Fellowship in 1968. Knowles work has been in shown in major exhibitions at the Tate Museum, London (1968), the Guggenheim, New York (2009), MoMA, New York (2011), and Walker Art Center, Minneapolis (2014). In May 2011, Knowles was invited to appear at The White House in An Evening of Poetry.
  • Claire Bishop is an art historian and critic. She currently teaches Contemporary Art at the CUNY Graduate Center. Prior to this, she taught at Warwick University (UK) and the Royal College of Art, London. She is a regular contributor to Artforum and has had numerous books published. In addition to her criticism and scholarly work, she has curated exhibitions of art.
Suchan Kinoshita, presented by Oliver Kruse
  • Suchan Kinoshita was born in Tokyo, Japan. She moved to Germany to study music in Cologne. She participated in Theater am Marienplatz (TAM) in Krefeld Fischeln from 1983 to 1989. She performed in pieces by composers including Carola Bauckholt, Mauricio Kagel, Dierter Schnebel, Gerhard Rühm, and developed her own works. She then pursued postgraduate study at the Jan van Eyck Academie from 1988-90. Kinoshita won the Prix de Rome in 1993 and was selected for the PS1 Studio Program in New York from 1993-94.
  • Oliver Kruse is the chairman of the board of the Insel Hombroich Museum in Neiss, Germany. He is a professor at the Peter Behren School of Architecture, Dusseldorf, and has been a member of the board of Architecture Omi since 2009. He also maintains an artistic practice, working in sculpture, drawing, and video, which he has been exhibiting since 1993.
Malcolm Morley, selected by Christine and Andy Hall
  • Malcolm Morley is a painter who has been acknowledged as one of the earliest innovators of “super-realism,” which developed as a counterpoint to Pop Art in the 1960s. Over the course of his distinguished career, Morley has defied stylistic characterization, moving by turns through so-called abstract, realist, neo-romantic, and neo-expressionist painterly modes, while being attentive to his own biographical experiences. He has exhibited across Europe and North America since 1964. His first retrospective, organized in 1983 by the Whitechapel Art Gallery, traveled to the Museum of Contemporary Art, Chicago, and the Brooklyn Museum.
  • Christine and Andy Hall have been collectors of contemporary art since the 1980′s. Together, in 2007 they founded the Hall Art Foundation, which makes postwar and contemporary art works from its own collection and that of the Halls available for the enjoyment and education of the public.

The awards were founded in 1986 after a conversation Mr. Greenburger had with his friends, André Emmerich and Clement Greenburg, during which André said, “The best and brightest artist of each generation are known, but not to everyone. Ask the inner circle and they can tell you.” This statement is the inspiration and founding principle of the Francis J. Greenburger Awards.

Since 1986, Omi International Arts Center has awarded 45 artists the prestigious award and this year the award adds five impressive artists to its roster of winners.

The event is open to the public, and those interested must RSVP by April 13 by contacting greenburgerawards@timeequities.com. For more information visit: http://www.omiartscenter.org and select ‘Francis J. Greenburger Awards’ under the calendar tab.

###

About Omi International Arts Center
Omi International Arts Center is a notforprofit arts organization with residency programs for international visual artists, writers, musicians and dancers. The 300 acre campus is also the site for The Fields Sculpture Park, a public exhibition space with nearly 80 contemporary sculptures; Architecture Omi, exploring the intersection of architecture, art and landscape; and Education Omi, an arts education programs for children.

Image credit: Mr. Greenburger introducing the 2013 Francis J. Greenburger Awards. Photo by Richard Lewin.

ARTIST ORGANIZED ART

Each Announcement Now Comes With An Inclusion In Our Newsletter Or Social Networks At No Additional Cost

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#permalink posted by E-List: 4/07/15 04:00:25 PM



Visual Arts Flanders

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April 2015

Visula Art Flanders

FILM COLOGNE focusing on Brussels and Flanders during Art Cologne

Fragment of the video still 'L'invitation au voyage', Meggy Rustamova, 2014

The second edition of FILM COLOGNE will present ‘Flanders Moving Image’, a series of film and video works by artists who live and work in Brussels and Flanders, curated by Philippe Pirotte, dean of the Städelschule, and Fabian Schöneich, curator at Portikus in Frankfurt.

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Tafels/Tables. Statements about artist books during the pre-opening of Art Brussels

Tables at Art Rotterdam, 2015 Photo by Mark Niedermann

Earlier this year, Tafels/Tables Flemish-Dutch presentation of artist books was successfully presented at Art Rotterdam. It will now be on view at Art Brussels from Friday 24 until Monday 27 April.

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Collateral exhibition ‘The Revenge of the Common Place’ at the 56th Venice Biennale

Rinus Van de Velde, 2014, charcoal on canvas, 150 cm x 220 cm, Courtesy Tim Van Laere Gallery

Artists Francis Alÿs, Song Dong and Rinus Van de Velde were selected by curator Hans De Wolf to represent the Ministry of Culture of the Flemish Government in a collateral exhibition at the Ca’ Foscari University of Venice.

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Objectif Exhibitions appoints Antony Hudek as new director

Antony Hudek, director Objectif Exhibitions, 2015

Following a highly competitive international selection process involving more than 100 applicants, the board of Objectif Exhibitions in Antwerp announced the appointment of Antony Hudek as the new director.

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Belgian Art Abroad

Geert Goiris, Dead Bird, 2008

Geert Goiris, Dead Bird, 2008

Solo exhibition by Geert Goiris at Foam in Amsterdam
“Flashbulb Memories, Ash Grey Prophecies” from 20 March until 24 May 2015

Foam presents the Netherlands’ first solo exhibition by Belgian artist Geert Goiris. Very few people in the Netherlands are familiar with his unconventional visual language and serious tone. Goiris occupies a unique position in the field of contemporary photography. His layered photos…

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Peter Buggenhout, The Blind Leading The Blind, Installation view at the Taipei Biennial, 2014, Photo Willem Boel

Peter Buggenhout, The Blind Leading The Blind, Installation view at the Taipei Biennial, 2014, Photo Willem Boel

Peter Buggenhout at the Bonnefantenmuseum in Maastricht
3 April until 20 September 2015

In connection with the Dutch-Flemish year, Peter Buggenhout (°1963, Dendermonde) installed two imposing works and his own texts in three rooms of the museum. Buggenhout makes unpolished sculptural installations with industrial and found material. The constructions are as well thought-out i…

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Belgian artists at the 12th Biennal de La Habana
‘Between the Idea and Experience’, from 22 May until 22 June 2015

The 12th Havana Biennial in 2015 aims at settling in those interstices of the city that facilitate the work on various premises. Next to the Belgian artists Koen Vanmechelen,

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 Still from : Now or Never, Ignace Van Ingelgom for Ever

Still from : Now or Never, Ignace Van Ingelgom for Ever

Ignace Van Ingelgom and Thierry De Mey at the 16th International Media Art Biennale in Wrocław, Poland
From 13 until 17 May 2015

Artistic director, Piotr Krajewski, selected Belgian artists Ignace Van Ingelgom and Thierry De Mey to present their work in the
WRO 2015 TEST EXPOSURE exhibition.
The WRO Media Art Biennale is the major forum for new media art in Poland, and one of the leading international art even…

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‘Not There’ by Alet Pilon,  2010

‘Not There’ by Alet Pilon, 2010

Berlinde De Bruyckere and Sara Bomans in ‘Under the Skin’ at the Textile Museum in Tilburg
From 30 May until 20 September 2015

With sculptures of fabric and human hair inhabiting a realm between the human and animal; Icaruslike swan wings that symbolise man’s powerlessness; and blankets twisted into large skeletons: ‘Under the Skin’ is about vulnerability, life, pain and protection. This ex…

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Who we are and what we do?

Flanders Arts Institute (Kunstenpunt) is a brand-new organisation that was founded on 1 January 2015 as a result of the merger of the Flemish Institute for Visual, Audiovisual and Media Art (BAM), the Flanders Music Centre (MCV) and the Institute for the Performing Arts (VTi). In the service of the arts sector, it becomes the central point of contact for all visual and performing arts and for all music genres, both national and international. The organisation’s core tasks are practice development, field research and the expansion of collective (inter)national relations. It provides information
and documentation, and stimulates the practice of artists and art organisations. Its mission is to increase the awareness and visibility of the Flemish arts scene on an international level through international collaboration, communication and exchange.

You will find more information about us on www.flandersartsinstitute.be. All enquiry is welcome, please contact us by sending an email to info@kunsten.be.

This newsletter is published by Flanders Arts Institute. Flanders Arts Institute is not responsible for any improper use by third parties nor for any reproduction of wrong information. Flanders Arts Institute passes on available information, but cannot be held accountable for its completeness.

To opt-out of all future mailings, click here.

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#permalink posted by E-List: 4/02/15 06:39:36 AM



Now Accepting Applications for ArtsEZ 2015 Grants

ArtsEZ 2015 Grant Round

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THE NORTHAMPTON ARTS COUNCIL ANNOUNCES ArtsEZ 2015 GRANTS
 
The Northampton Arts Council has set a May 1st, 2015 deadline for applications from organizations, schools and individuals for grants that support artistic activities in the local community. According to Arts Council Director Brian Foote, ArtsEZ 2015 Spring Grants can support a variety of artistic projects and activities in Northampton, Florence, and Leeds, including exhibits, writings, festivals, performances, workshops and lectures that take place July 1, 2015 through June 30, 2016. 
 
This year, the Northampton Arts Council will distribute up to $15,000 in grant monies. Previously funded projects include: $750 to the Northampton Jazz Festival. $650 to Northampton High School for “The Skin of Our Teeth.” $500 to Wire Monkey Dance for “Embryolo.” $500 to Ray Hannah for “The Making of Florence Village, Storied by Village Residents.”
 
Applications must be completed online at http://application.northamptonartscouncil.org/.
Please do not submit paper applications.

 
For potential applicants looking for advice on the application process The Northampton Arts Council will hold a question and answer session at the City Hall Hearing Room on the second floor of City Hall 210 Main Street Northampton, MA 01060 on Tuesday April 14th from 4:00 PM – 6:00 PM.
 
Founded in 1980, the Northampton Arts Council has an all-volunteer board, appointed by the Mayor, and staff, consisting of one director, one part-time events producer, and one student intern. The Northampton Arts Council was the first cultural council in the Commonwealth to raise money for a second round of funding every spring. The ArtsEZ Spring Grant round is made possible by two major fundraising events produced by the Northampton Arts Council: Transperformance, an end-of-summer concert at Look Park held every third week in August, and the Four Sundays in February series which includes events such as the Silver Chord Bowl and the Really Big Gong Show. The Northampton Arts Council works to support and nurture the arts in the city of Northampton by funding, promoting and presenting high-quality, community-based arts programming for the benefit of artists, residents and visitors, initiating public art projects, and by seeking to improve public awareness of the arts.
 
For specific ArtsEZ 2015 guidelines and complete information on the Northampton Arts Council please visit http://www.northamptonartscouncil.org/p/grants or contact Brian Foote at (413) 587-1269/arts@northamptonma.gov.  

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